All John Singer Sargent 's Paintings

The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters

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Choice ID Image  Painting (From A to Z)       Details 
22041 Two Arab Women (mk18)  Two Arab Women (mk18)   c 1905,oil on canvas,21 x 25 1/4 in. Gift of Mrs.Francis Ormond,1950, The Metropolitan Museum of Art,New York,NY
44788 Two Girl with Parasols at Fladbury  Two Girl with Parasols at Fladbury   mk177 1889 Oil on canvas 29x25in
4433 Two Girls Fishing  Two Girls Fishing   22 x 28 1/4 in Cincinnati Art Museum, Ohio
68333 Two Girls Lying on the Grass  Two Girls Lying on the Grass   "Two Girls Lying on the Grass," oil on canvas, by the American painter John Singer Sargent. Courtesy of the Metropolitan Museum of Art, New York.
54480 Two Girls on a Lawn  Two Girls on a Lawn   mk235 c.1889 Oil on canvas
22011 Two Girls on a Lawn (mk18)  Two Girls on a Lawn (mk18)   c 1889,oil on canvas,21 1/8 x 25 1/4 in Gift of Mrs Francis Ormond,1950 The Metropolitan Museum of Art,New York,NY
21993 Two Nude Bathers Standing on a Wharf (mk18)  Two Nude Bathers Standing on a Wharf (mk18)   1880 Oil on wood,13 3/4 x 10 1/2 in Gift of Mrs.Francis Ormond,The Metropolitan Museum of Art,New York,NY
4435 Two Women Asleep in a Punt under the Willows  Two Women Asleep in a Punt under the Willows   1887 22" x 27" Calouste Gulbenkian Museum, Lisbon
4460 Under the Rialto Bridge  Under the Rialto Bridge   1909 Museum of Fine Arts, Boston
68159 Val d Aosta  Val d Aosta   54.9 X 69.9 cm (21.61 X 27.52 in)
72230 Val d Aosta  Val d Aosta   Date ca. 1909(1909) Medium Oil on canvas Dimensions 54.9 X 69.9 cm (21.61 X 27.52 in) cyf
71107 Val d'Aosta  Val d'Aosta   ca. 1909(1909) Oil on canvas 54.9 x 69.9 cm (21.61 x 27.52 in)
22002 Venetian Bead Stringers (mk18)  Venetian Bead Stringers (mk18)   c 180-82,oil on canvas,26 3/8 x 30 3/4 in Friends of the Albright Art Gallery Fund,1916 Albright-Knox Art Gallery,Buffalo,NY
68160 Venetian Boats  Venetian Boats   25.2 X 35.1 cm (9.92 X 13.82 in)
68237 Venetian Glass Workers  Venetian Glass Workers   Oil on canvas 56.5 x 84.5 cm
68238 Venetian Loggia  Venetian Loggia   Oil on canvas 71.7 x 80.6 cm 1880-82
88160 Venetian Loggia  Venetian Loggia   1880-82 Medium Oil on canvas Dimensions 71.7 x 80.6 cm (28.2 x 31.7 in) cyf
81210 Venice  Venice   oil on wood painting Date 1882(1882) cyf
68321 Venice The Prison  Venice The Prison   Sargent's Venice: The Prison (1903)
4420 View of Capri  View of Capri   1878 10 x 13 1/4 in Yale University Art Gallery, New Haven, Connecticut
72930 View of Capri  View of Capri   "View of Capri," oil on academy board, by the American artist John Singer Sargent. 10 1/4 in. x 13 3/8 in. Yale University Art Gallery, Edwin Austin Abbey Memorial Collection. Courtesy of Yale University, New Haven, Conn. cjr
74749 View of Capri  View of Capri   English: "View of Capri," oil on academy board, by the American artist John Singer Sargent. 10 1/4 in. x 13 3/8 in. Yale University Art Gallery, Edwin Austin Abbey Memorial Collection. Courtesy of Yale University, New Haven, Conn. Date ca. 1878 cyf
4463 Villa di Marlia  Villa di Marlia   1910 16" x 20 3/4" Museum of Fine Arts, Boston
4462 Villa Falconieri  Villa Falconieri   1910 14 1/2 x 21 in Museum of Fine Arts, Boston
73043 Village Children  Village Children   "Village Children," oil on canvas, by the American artist John Singer Sargent. 24 5/8 in. x 29 1/2 in. Yale University Art Gallery, Edwin Austin Abbey Memorial Collection. Courtesy of Yale University, New Haven, Conn. cjr
22015 Village Children (mk18)  Village Children (mk18)   1890,oil on canvas,25 x 30 in The Edwin Austin Abbey Memorial Collection,Yale University Art Gallery,New Haven,CT
68161 Violet Sleeping  Violet Sleeping   37.3 X 54.1 cm (14.69 X 21.30 in)
4438 White Ships  White Ships   1908 13 9/16 x 19 1/8 in Brooklyn Museum, New York
22017 William Merritt Chase (mk18)  William Merritt Chase (mk18)   1902 Oil on canvas,62 1/2 x 41 3/8 in Gift of Pupils of William M.Chase 1905 The Metropolitan Museum of Art,New York NY
68306 Winifred Duchess of Portland  Winifred Duchess of Portland   Portrait of Winifred, Duchess of Portland (Winifred Dallas-Yorke) 1902
68337 Winifred Duchess of Portland  Winifred Duchess of Portland   "Winifred, Duchess of Portland," oil on canvas, by the American artist John Singer Sargent. Private collection. 1902(1902)
68334 WLA lacma  WLA lacma   WLA lacma John Singer Sargent Portrait of Mrs Edward L Davis and Her Son
80454 WLA lacma John Singer Sargent Portrait of Mrs Edward L Davis and Her Son  WLA lacma John Singer Sargent Portrait of Mrs Edward L Davis and Her Son   WLA lacma John Singer Sargent Portrait of Mrs Edward L Davis and Her Son cyf
68335 WLA metmuseum  WLA metmuseum   WLA metmuseum John Singer Sargent Lady with the Rose
22014 Woman with Collie (mk18)  Woman with Collie (mk18)   n.d.watercolor on paper,13 7/8 x 10 in Gift of Mrs.Francis Ormond,1950 The Metropolitan Museum of Art,New York,NY
68318 Young man in reverie  Young man in reverie   Young man in reverie
68163 Zuleika  Zuleika   25.4 X 35.4 cm (10.00 X 13.94 in)

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John Singer Sargent
1856-1925 John Singer Sargent Locations John Singer Sargent (January 12, 1856 ?C April 14, 1925) was the most successful portrait painter of his era. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida. Before Sargent??s birth, his father FitzWilliam was an eye surgeon at the Wills Hospital in Philadelphia. After his older sister died at the age of two, his mother Mary (n??e Singer) suffered a mental collapse and the couple decided to go abroad to recover. They remained nomadic ex-patriates for the rest of their lives. Though based in Paris, Sargent??s parents moved regularly with the seasons to the sea and the mountain resorts in France, Germany, Italy, and Switzerland. While she was pregnant, they stopped in Florence, Italy because of a cholera epidemic, and there Sargent was born in 1856. A year later, his sister Mary was born. After her birth FitzWilliam reluctantly resigned his post in Philadelphia and accepted his wife??s entreaties to remain abroad. They lived modestly on a small inheritance and savings, living an isolated life with their children and generally avoiding society and other Americans except for friends in the art world. Four more children were born abroad of whom two lived past childhood. Though his father was a patient teacher of basic subjects, young Sargent was a rambunctious child, more interested in outdoor activities than his studies. As his father wrote home, ??He is quite a close observer of animated nature.?? Contrary to his father, his mother was quite convinced that traveling around Europe, visiting museums and churches, would give young Sargent a satisfactory education. Several attempts to give him formal schooling failed, owning mostly to their itinerant life. She was a fine amateur artist and his father was a skilled medical illustrator. Early on, she gave him sketchbooks and encouraged drawing excursions. Young Sargent worked with care on his drawings, and he enthusiastically copied images from the Illustrated London News of ships and made detailed sketches of landscapes. FitzWilliam had hoped that his son??s interest in ships and the sea might lead him toward a naval career. At thirteen, his mother reported that John ??sketches quite nicely, & has a remarkably quick and correct eye. If we could afford to give him really good lessons, he would soon be quite a little artist.?? At age thirteen, he received some watercolor lessons from Carl Welsch, a German landscape painter. Though his education was far from complete, Sargent grew up to be a highly literate and cosmopolitan young man, accomplished in art, music, and literature. He was fluent in French, Italian, and German. At seventeen, Sargent was described as ??willful, curious, determined and strong?? (after his mother) yet shy, generous, and modest (after his father). He was well-acquainted with many of the great masters from first hand observation, as he wrote in 1874, ??I have learned in Venice to admire Tintoretto immensely and to consider him perhaps second only to Michael Angelo and Titian.??



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